Top 10 Ralph Fiennes Performances

Today Ralph Fiennes is one of Britain’s preeminent acting talents, and a household name. However, like all great actors, there was a time when he was unknown and still searching for his breakthrough performance. In honour of The Grand Budapest Hotel, his latest film, we’re taking a look back to the start of his career, and the notable performances that brought him to stardom.

Schindler’s list (1993)

Originally Fiennes dreamed of becoming a painter and began studying at Chelsea College of Art and Design. Soon, however, he found his passion in acting, and quickly transferred to London’s Royal Academy of Dramatic Art. Here he was taught through Shakespearean theatre, and after graduation in 1987, he performed on live stage for several years. Although he made his first film appearance as a lead Actor in 1992’s Wuthering Heights, his performance in Schindler’s List elevated him to star status. In this role, Fiennes played the chillingly cold Nazi officer Amon Goeth, and for his performance, he was nominated for an Academy Award in the category of best actor in a supporting role, and also won the BAFTA in the same category.

Quiz Show (1994)

Springboarding off his performance in Schindler’s list, Fiennes partnered up with actor-director Robert Redford for the 1994 Academy Awards best picture nominee Quiz Show. In it, Fiennes stars as a fictional version of Charles Van Doren, a quiz show contestant who captivated America in the 1950s by winning week after week. The only problem? Van Doren was being fed the answers the whole time, and when a disgruntled losing contestant reveals the truth, their scheme, along with America’s illusion, came tumbling down—fast.

The English Patient (1996)

Fiennes returned to the Oscar spotlight in 1996, this time leading another Academy Award best picture winner, The English Patient. Fiennes plays an archaeologist during WWII who has been badly burned in a plane crash and is struggling for his life in a French hospital. As the plot turns, and Fiennes’ past is revealed in a series of flash backs, a dangerous love affair quickly unravels. For his performance, Fiennes was nominated by the Academy again, this time in the category of best actor in a leading role.

Red Dragon (2002)

In 2002, Fiennes returned to the villain role to mark another chapter in the story of Hannibal Lector. For Red Dragon, Fiennes donned a fearsome back tattoo and took on the alter ego of the Red Dragon—a serial killing schizophrenic heavily influenced by the work of Lector.

The constant Gardener (2005)

Like a chameleon changing colours, Ralph Fiennes transformed from villain to hero once again, showing his incredible dramatic range in The Constant Gardener. In a film nominated for 4 Academy Awards, Fiennes plays Justin Quayle, a British diplomat living in Kenya searching for the truth behind his wife’s murder. Although he believes her death to be the result of an affair, he soon finds the truth to be much more lethal.

Harry Potter (2005-2011)

Using his previous stints in Schindler’s List and Red Dragon as an audition, Fiennes next transformed himself into perhaps the most notorious villain in young adult literature—Lord Voldemort. As the dark lord, Fiennes brought to life a character feared by both wizards and muggles. On screen, his transformation from the love grieving Justin Quayle in The Constant Gardener to the reptilian Voldemort is truly remarkable, both in physical appearance and performance

The Reader (2008)

Since the end of World War II, many films have used Nazi Germany as subject material, but very few, if any, have told the story from this angle. When a teenage Michael Berg is befriended by a woman (Kate Winslet) nearly twice his age, their friendship quickly turns physical. The affair burns out bright and quick, but nearly a decade later, the two have a chance meeting where Michael Berg discovers that Hannah, the only woman he has ever loved, was once a Nazi guard at Auschwitz. As an older Berg, Fiennes attempts to come to terms with the woman he once loved, and tries to make penance on her behalf.

The Duchess (2008)

Teaming up with Kiera Knightly, Ralph Fiennes put on a wholly convincing performance as The Duke in The Duchess. As the menacing husband of Georgiana (Kiera Knightly), Ralph Fiennes seems to reflect the tranquil nature of his surroundings. When his wife fails to produce a male child however, Fiennes puts on a brutally real performance, slowly abusing his wife both emotionally and physically. Balancing off this performance by Fiennes, the film peels back the surface layers of Victorian era culture, and exposes the sexist precedents of the time.

The Hurt Locker (2009)

In 2009, Fiennes teamed up with Kathryn Bigelow to provide a brilliant cameo in the best picture winning film The Hurt Locker. As Jeremy Renner and his partner make their way across the Iraq desert, they come across Ralph Fiennes and his squad of hardnosed mercenaries. Wearing a headscarf and flak jacket, Fiennes turns out a memorable performance, and gives perhaps the best recitation of the line “Sniper!” on film.

The Grand Budapest Hotel (2014)

In the new Wes Anderson film, Fiennes plays Gustave, a legendary Eastern European Concierge during the 1930s. As fictional locations, murders, and Futura typeface pile on in typical Wes Anderson fashion, Fiennes grounds the cast and centres the film. With Wes Anderson directing at the top of his game and utilizing a star-studded cast that includes Jude Law, Bill Murray, Tilda Swinton, and Willem Dafoe—just to name a few—The Grand Budapest Hotel is one of the most anticipated films of the year.

THE GRAND BUDAPEST HOTEL IS RELEASED IN UK CINEMAS ON 7 March 2014

Movies Scored by Famous Musicians (Her Feature)

Often, a movie’s score goes unnoticed by an audience, but it can have major effects on the mood and setting of a film by subtly changing a viewer’s perception. If the score is not chosen wisely, it can hinder a film, or even worse, clash with the fundamental themes underlying it. In order to achieve the correct mood, it has become a recent trend for Hollywood film makers to collaborate with famous musicians. For Her, director Spike Jonze worked closely with Arcade Fire to create a sublime score that sweeps and swoons in alignment with Theodore’s (Joaquin Phoenix) emotions. In honour of Her’s February release, we’re taking a look at some of the best collaborations between famous musicians and film makers in recent memory.

Grizzly Bear/ Blue Valentine (2010)

Usually scores are inspired by the films they are created for, but in the case of Blue Valentine, the opposite is true. Director Derek Cianfrance worked for over 7 years to perfect his Blue Valentine script, but it wasn’t until he found the Grizzly Bear band that he hit his writing stride. As he wrote, he often listened to their music, fusing their melodic rhythm into the pacing of his writing. In 2007, he reached out to the band and asked if they would score his film. They obliged, and together with Cianfrance, were able to create two separate moods—one of romanticism for flashbacks and another highlighting tension for present day scenes—that defined the pacing of the film.

Alex Turner/ Submarine (2010)

The lead singer for the Arctic Monkeys took a brief hiatus in 2010 to work alone for the soundtrack of Submarine. In order to highlight this coming of age story, Turner put down his usual habitual rock style, and created six different acoustic songs. His soundtrack was critically acclaimed, and Turner used the experience to expand the sound of the Arctic Monkeys.

Trent Reznor/ The Social Network (2010)

While it’s hard to imagine The Social Network without its award winning soundtrack, Trent Reznor’s score almost didn’t happen. When David Fincher Initially offered Reznor the gig, he turned it down to take a break from music. Thankfully for the film however, Reznor changed his mind at the last minute, and joined forces with Atticus Ross to create a score that Roger Ebert called an “urgent composition that drove the film's headlong momentum.” After the credits finished, Reznor’s score kept on driving, taking the film to the academy awards where it was nominated for eight Oscars and won three including best original score.

Daft Punk/ Tron: Legacy (2010)

Before winning the Grammy for best album of the Year, the French duo took on the Disney remake of Tron in 2010. Their electric-pop vibe was a natural selection for the digital world, and the soundtrack for the film was a huge success, moving all the way to No. 4 on the Billboard top 200 list.

Karen O/ Where the Wild Things Are (2009)

To bring this beloved work of Maurice Sendak to life, Spike Jonze enlisted the help of Karen O, lead singer of the Yeah Yeah Yeahs, and at the time, his current girlfriend. She lent her voice for several songs, including the Grammy nominated song All is Love, and helped to write the score, which was nominated for best original score at the Golden Globe awards.

John Greenwood/ There Will Be Blood (2007)

For There Will Be Blood, Radiohead’s guitarist John Greenwood accented Daniel Day Lewis’ performance with orchestral sounds to give the film a sinister, unsettling tone. Although his score was ultimately snubbed by the academy awards because of its use of previously recorded material, it was nominated for a Grammy in the category of “Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media".

Arcade Fire/ Karen O/ Her (2014)

For Her, Spike Jones collaborated with Arcade Fire to produce the score, and once again Karen O to sing an original song. Arcade Fire’s score has been nominated for best score by the academy awards, and Karen O’s “The Moon Song” has been nominated for Best Original Song. The film is also in the running for three more Oscars, including Best Picture.

HER IS RELEASED IN UK CINEMAS ON 14 FEBRUARY 2014

Forbidden Love - The Invisible Woman Feature

The theme of forbidden love has formed the basis of many romantic dramas; fuelling scenes of passion, desire, and devotion. The latest film to add to the line-up is The Invisible Woman, the true story of Charles Dickens and his young mistress, actress Nelly Ternan. Ralph Fiennes directs himself as Dickens, with Felicity Jones as the young beautiful actress. Nelly is forced to remain an ‘invisible’ muse and lover to hide the scandalous relationship from the world. To mark the February 7th release in cinemas, here is a look at eight films about forbidden love.

The Graduate (1967)

Starring Dustin Hoffman and Anne Bancroft, The Graduate tells the story of Benjamin Braddock and his affair the wife of one of his father’s business partners, Mrs. Robinson. Having recently graduated from college, Ben meets Mrs. Robinson upon arriving home and they begin their short-lived affair. However, his past comes back to haunt him as Ben finds himself falling in love with Elaine, Mrs. Robinson’s daughter. The Graduate, a hugely influential coming of age comedy, hilariously tells one of the most tense and noteworthy love stories in film.

Water for Elephants (2011)

When his parents die in a car accident before he finishes his veterinary studies, Jacob Jankowski falls into a new life in the circus. It is here that he meets Marlena, the young wife of the ill-tempered and unstable circus owner, August. Jacob soon falls in love with Marlena, and she with Jacob. August’s violent nature threatens their lives and the livelihood of the circus. Based on the novel, Water for Elephants, starring Reese Witherspoon and Robert Pattinson, depicts the whirlwind love affair of Jacob and Marlena and how two people will beat all obstacles to be together.

Lolita (1997)

In this forbidden love affair based on the famous Nabokov novel, Humbert Humbert falls in love with his land lady’s 14 year old daughter, Dolores “Lolita” Haze. Humbert, a British professor who moved to the US to teach, marries Charlotte Haze, in order to stay close to Lolita. Lolita proving to be much more mature than her age begins a relationship with her step father. The gripping tale of Lolita, starring Melanie Griffith and Jeremy Irons, with Dominique Swain as Dolores, is filled with romance, guilt, jealousy, and perfectly depicts the ultimate price one might pay for forbidden love.

In The Mood for Love (2000)

Newspaper editor, Chow Mo-Wan, moves into a new building with his wife and at the same time, Su Li-Zhen, a beautiful secretary, moves into the building with her husband. Chow and Li-Zhen form a friendship and begin spending time together as their spouses are away. However, they soon find out their significant others are having an affair and vow to not be like their unfaithful spouses, yet find comfort in their growing relationship. Set in Hong Kong in 1962, In the Mood for Love, starring Maggie Cheung and Tony Leung Chiu Wai, beautifully illustrates the growing love between two individuals and their resistance to give into passionate feelings.

The Scarlett Letter (1995)

Seeking independence from 17th century England, Hester Prynne arrives to Massachusetts Bay Colony awaiting the arrival of her husband from England. While befriending other outsiders in the colony, Hester falls for young pastor Arthur Dimmesdale. Soon, Hester bears their child, after rumour of her husband’s death reaches her. On the day Hester is made to wear a scarlet A, her husband arrives very much alive and seeks revenge on her love and his own wife. The Scarlet Letter, starring Demi Moore and Gary Oldman, shows that sometimes love will overcome every rule and all humiliation.

Romeo and Juliet (1996)

Retold in a modern day Verona, Romeo and Juliet remains the timeless story of star crossed lovers. The Montague and the Capulet families are fierce, feuding enemies when their children meet and fall in love. The two have hidden their love from their families and soon meet their tragic destiny. Still preserving the original dialogue from the Shakespeare classic, Romeo and Juliet, starring young Leonard DiCaprio and Claire Danes, is one of the greatest forbidden love stories told.

Titanic (1997)

101 year old Rose DeWitt Butaker tells the story of her romantic adventure on the Titanic, and her discovery of true love, to her granddaughter and the crew aboard the Keldysh research ship. While aboard the Titanic, Rose met Jack Dawson, a spirited artist with whom she soon fell in love. When the Titanic went down, Jack lost his life, but Rose used his name to disappear from her mother and fiancé. 84 years later, Rose recalls this story as the crew searches for remnants of the wreck her nearly priceless lost jewellery. A beautifully told story of love lost, Titanic, starring Kate Winslet and Leonardo DiCaprio, is one of the most spectacular stories of forbidden love.

The Invisible Woman (2013)

Set in 19th century England, The Invisible Woman illustrates the illicit love affair between Charles Dickens and young actress, Ellen Ternan. At the height of his success, an older Dickens meets 18 year old Nelly with whom he soon falls in love and begins a secret affair, eventually leaving his wife. To keep her reputation, Nelly must live a life of “invisibility” until Dickens’ death. An epic drama, starring the outstanding Ralph Fiennes and illustrious Felicity Jones, The Invisible Woman passionately depicts what one must pay for love in an entrancing and heart wrenching film.

THE INVISIBLE WOMAN IS RELEASED IN UK CINEMAS ON 7 FEBRUARY

Robert Redford Career Highlights (All Is Lost Feature)

Robert Redford is one of the few actors in Hollywood that has had contestant involved in Hollywood for the duration of his career. Embarking on his 77th birthday Redford has spent 53 of those years in the spotlight for his participation in front or behind the camera. Starting as a Hollywood heartthrob in the 60s, becoming a top-box office actor in the mid 70s, director in the 80s, producer in the 1990 and philanthropist in the turn of the century, it’s safe to say Redford has made the most of his career. Robert has been recognized for his talent by receiving two Oscars; one in 1981 for Best Director and another for the Lifetime Achievement in 2002. In addition, he was awarded French Knighthood in the Legion d’Honneur in 2010. Although he has always been involved in Hollywood, Redford experienced, as any actor does, ups and down. However, riding the wave of success, this winter, Robert Redford is being thrust into the award season storm curtest of his new film, All Is Lost. In anticipation of the upcoming film, we are taking a look back at Robert Redford’s successful career. However, while participating in over 68 productions as an actor, 10 as a director and 35 as a producer, it’s impossible to cover all the bases, so we are specifically taking a look at his career highlights.

Inside Daisy Clover (1965)

Roberts Redford stars in his third Hollywood film, Inside Daisy Clover as he portrays the role of the homosexual Wade Lewis. Redford’s handlers cautioned him against taking the role in the film, but despite their warnings, Redford accepted and the film served his first important role of his career. Redford’s performance earned him excellent reviews and won him a Golden Globe award as a “Star of the Future.” After this role, Redford’s career was secure; he was seen as a talented actor offered a multitude of different roles after the movie was finished.

Downhill Racer (1969)

Given the opportunity to carry his own, Robert Redford starred in the motion picture Downhill Race. Playing a small-town Colorado arrogant athlete given the chance of glory on the U.S Olympic Ski team, he gives a convincing, self-destructive performance. In a review for the Chicago Sun-Times, Roger Ebert stated Downhill Racer is “the best movie ever made about sports—without really being about sports at all.” The received critical acclaim as Redford proved himself and the extent of his talent.

Butch Cassidy and the Sundance Kid (1969)

Reaching success, Redford was worried he had been type-casted in Hollywood as a blond male stereotype. In retaliation, he turned down numerous offers as he waited for the right role to present himself. In 1969, he found the role he was looking for in George Roy Hill’s western classic, Butch Cassidy and the Sundance Kid. The film follows Butch Cassidy (Paul Newman) and his partner Harry Longabaugh, the “Sundance Kid” (Redford), as they migrate to Bolivia on the run from the law in search of more criminal opportunities. The film marked the first collaboration between Newman and Redford, and moulded their famous friendship. Butch Cassidy and the Sundance Kid, received monumental critical acclaim. The film earned 7 Oscar nominations, winning 4. As well as three Golden Globe nominations, winning Best Original Score. Redford received a BAFTA Award for Best Actor. In 2003, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. The film reinforced Redford’s acting talents and made him a major bankable star, cementing his screen image as an intelligent, reliable, sometimes sardonic good guy.

The Candidate (1972)

The Candidate is an American political satire film starring Robert Redford, written by Jeremy Larner, a speech writer for Senator Eugene J. McCarthy during the 1968 Democratic Presidential nomination. Redford portrays a young liberal lawyer who tries to hold onto his ideals as he campaign to defeat a conservative senator. As the campaign continues, the candidate loses his way, and Redford’s skilful performance suggests just how aware he is of his failure. The film received critical acclaim as it was nominated for two Academy Awards, winning Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced.

The Way We Were (1973)

Regarded as his most successful romantic drama, Robert Redford stars in The Way We Were with co-star Barbra Streisand. The film depicts two desperate people who embark on a wonderful romance, but their political views and convictions drive them apart. As a box office success, the film was nominated for a multitude of awards and won the Academy Award for Best Original Song. With the release of the film, Redford became a worldwide heartthrob.

The Sting (1973)

George Roy Hill, director of “Butch Cassidy”, brought Newman and Redford together again for this tricky story about a few con men who team up and target a mob boss in 1930 Chicago. The film was received 10 Oscar nominations, winning seven, including Best Director, Best Picture, and Best Film Editing. The Sting became one of the top 20 highest grossing movies of all time and provided Robert Radford with his first and only Oscar nomination for Best Actor in a Leading Role.

All the President’s Men (1976)

This Academy Award-winning political thriller, All the Presidents, tells the non-fiction story about the two journalists (Robert Redford and Dustin Hoffman) investigating the Watergate scandal for The Washington Post. The dedication these journalists put into the story lead to a nationally shocking discovery. The film received numerous good mentions including 4 Academy Awards – and further secured legendary status for the two lead actors: Robert Redford and Dustin Hoffman.

Ordinary People (1980)

The 1970s marked Redford as Hollywood’s top box-office name, he continued to act in many mainstream films. However, in the 1980s Redford obtained a newfound focus on directing. The first film he directed, Ordinary People, depicted the dramatic story of the disintegration of an upper-middle class family in Illinois, following the death of one of their sons in a boating accident. Ordinary People showed audience and critics that Redford was as good of a director as actor. The film reached critical and commercial success, winning four Oscars including the Academy Award for Best Picture and a monumental win for Redford as he won Best Director.

Out of Africa (1985)

In one of his most recognized roles of his career, Robert Redford co-stars with Meryl Streep in the Award winning film, Out of Africa. The story follows a Danish baroness/platioation owner in 20th century colonial Kenya, and her passionate love affair with a free-spirited game hunter. The film reached momumental success, winning seven Oscars out of 11 nominations.

Quiz Show (1994)

Regarded as Redford’s finest movie as director, Quiz Show is an American historical drama film based on the Richard N. Goodwin memoir Remembering America. The film follows the Twenty One quiz show scandal of the 1950s, the rise and fall of popular contestant Charles Van Doren, played by Ralph Fiennes, and the Congressional investigator Richard Goodwin (Rob Morrow) subsequent search for the truth. The film was nominated for four Oscars including Best Director and Best picture. The film, to this day, holds a 96% rating from Rotten Tomatoes.

All Is Lost (2013)

In the 2000’s Redford participated in acting, directing, and producing, but was more interested in his role as a philanthropist. Robert accepted the role in the upcoming film, All Is Lost, bringing him back into the spotlight. Redford depicts an unnamed man in a solo voyage in the Indian Ocean, waking up to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner’s intuition, and a strength that belies his age, the man barely survives the tempest. Introducing himself to an audience of a different generation, Redford has had high reviews and has had critics awaiting the release of the new film.

All Is Lost arrives in UK&Irish cinemas 26th December.

Feature - A New Wave in New Queer Cinema

Spurred on by the AIDS crisis, the social exclusion of homosexual men during the 1980s induced fear and anger from both sides of the gender boundaries. Wanting to break away from various pithy representations at the start of a new decade, UK and US based gay filmmakers such as Gregg Araki (The Living End), Todd Haynes (Poison) and the late Derek Jarman (Blue) sought to create films which were expressionistic and upfront in their frustration towards heteronormative boundaries and relationships. They represented a new way of belonging within a gay community, a stronger acceptance of a grounded identity where there was pride in being different. Knowing these films were completely unlike anything else, film critic B Ruby Rich classed this wave of filmmaking as ‘New Queer Cinema’ in a 1992 issue of Sight & Sound. Yet, as the 90s continued and breakthroughs with AIDS treatments progressed, homosexual identities became more politically recognised and accepted. As a result, the central gay character grew to be more present within mainstream (Philadelphia) and populist Indie (Beautiful Thing) film throughout the decade. Following the standard template of having an identity problem with being gay or living with AIDS, these forms of conflict seemed the only way of making a story interesting or crucial in forcing a statement.

However, by the end of the 90s, the activist force of ‘New Queer Cinema’ seemed to fizzle out as gay equality within Western society became stronger and more widely accepted than ever before. As a result, the representation of the triumphantly well adjusted homosexual man took over most narratives. In Hollywood, popular centralised gay storylines (Brokeback Mountain, Milk) still centred on weepy ideals, set within a certain time period, where central characters were martyrs to highlight just how significantly times had changed. As for the some of the original ‘New Queer Cinema’ filmmakers, after having said everything they needed to, they moved on to different styles and forms of storytelling, either within mainstream or independent productions. Since the popularity behind the politics resulted in a move into the ordinary, many of the early gay activists and filmmakers – who thrived in their difference from the hetero norms – would argue that the war for recognition, acceptance and equality is over. However, the lack of fluidity within the structure of gay narratives still created dissatisfaction with a few younger directors. Rather than portray the direct anxiety that can be faced with homosexuality or have gay characters completely represent the community, directors Andrew Haigh, Travis Mathews and Ira Sachs have created stories where this identity is a mere factor towards a more universal story. In their films, characters are already well adjusted with their identity. They lead a standard suburban life where the issues of death or coming out are not important. Most importantly, they do not fall into a perception of a gay community. Although these characters may struggle with issues of their identity, they are subtlety handled by these filmmakers, making their connection with other characters or their community resonate. It is a sudden and unique shift within ‘Queer Cinema’, but also a welcome one.

Haigh’s Weekend, released in 2011, proved to be a surprise hit for the filmmaker. The small production, detailing a brief - yet passionate - weekend between two very different personalities, earned consistent critical praise and box-office success (earning the second highest screen average on its opening week in the UK, behind Speilberg’s TinTin). Similarly, Matthew’s acclaimed 2013 film, I Want Your Love, charts the various sexual encounters of a local mid-twenties San Francisco hipster within his social circle of friends. Finally, Sach’s Keep the Lights On, follows a relationship set over a decade, from its amusingly awkward beginnings through to its tribulations with addiction. Although these stories may be different, the characters within them reveal various personalities and situations which are relatable to both homosexual and heterosexual audiences. With dialogue and performances that feel improvised and stylised hand-held cinematography, the naturalistic qualities of these works present how social boundaries within more everyday settings have been abolished. Rather than smack various issues over the viewer, these films treat their audiences with respect in regards to their intelligence and own experiences. Speaking exclusively to Mathews, he says ‘I don’t want to take someone’s hand and say ‘‘we are about to go somewhere gay and this is what you need to understand.’’ It is what it is.’

The existence of this new wave of film came from frustration. Before these filmmakers, there was merely a desire of wish fulfilment in seeing fully adjusted, happy, gay men within the media. For Haigh, films and television displayed a sense of contemporary gay life which he himself knew nothing about. However, Sachs was confused at why the subject of troublesome long-term relationships was never an issue, after experiencing one himself. Such was the popularity and importance of ‘positive’ representations within the media that Mathews believes that he and his peers are making progress in depicting the lives of gay men; ‘Not all of us are living perfectly well adjusted lives and I personally don’t want to shy away from something that could be seen as a bad portrayal. We can be just as flawed and interesting as the next guy and we [Mathews, Haigh and Sachs] want to show that.’

In showing the honesty and flaws within their characters’ lifestyle, each filmmaker relies on addressing the thorny issue of sex. Previously, the depiction of gay sex usually proved unjustified or a crass ‘will-they-won’t-they’ plot device. It provided cheap thrills or was thrown in for the sake or liberation of being able to show it. Yet, for these filmmakers, sex is integral in showing the normality within the everyday of a developing relationship. Unfortunately, this is an area which immediately classifies a direct demographic within these universal storylines. Unlike the works of Lars Von Trier and Derek Cianfrance (Blue Valentine), who approach the topic of sex within heterosexual relationships to drive their stories, the subject of gay sex can still divide an audience. As the character of Glen says in Weekend – when speaking about his personal art project – ‘straights won’t care because it’s not about their world.’ However, as many highbrow critics have noted, this is where the appeal of these three films lie. The topic of sex displays a generational experience within many contemporary works of rooting your identity and displaying who you are. With the ideas depicted within these films evidently crossing over the lines that have divided sexuality, the characters become more resonant purely because the story takes place within the relationship of two men. Yet, one might wonder that whilst the barriers of cultural sexual rigidity still remain slightly profound and – especially in this case – can divide an audience, would these characters ever be fully appreciated?

The reason Mathews wrote I Want Your Love was through bafflement over the void left within cinema where sex between two characters revealed an extension to their personality. However, what puts Mathews above the rest in his depiction of intercourse is that he had his actors perform live sex in front of the camera; ‘When two people try to or have sex, there is a lot of information exchanged and I didn’t want to shy away from it when telling my story. I could not present the intimacy with my characters without showing sex. I just feel like we’re in a place in time where the stories we’re telling about ourselves can be a bit more complicated and modern.’ Haigh, however, was more reserved. Developing his two characters before showing any intimacy, he takes an empathetic eye, allowing his scenes to feel more meaningful and personal for his two leads. In his own words, he says, ‘it was very important for me not to just shoehorn the sex into my film. I wanted to present the effect of the first encounter and have the audience understand the characters before revealing more. By the end of the film, you want them to enjoy the sex they have in their final moments together.’ As with Keep the Lights On, critics in the UK and US have applauded the portrayal of sex being naturally integrated and included in people’s everyday contemporary lives, rather than separated from it.

Within the context of these individual works, the depiction of intimacy provides a level of character development which is rare to find in a lot of cinema but progressive in how narrative forms are changing.
There is a sense of satisfaction that comes from watching these films. Not only are you witnessing a change in the norms of representing homosexuality, but they are making progression with the identity by setting it within contemporary urban landscapes. In moving gay identities to the background and having other facets contribute more towards these flawed characters, it injects a much needed sense of realism in depicting the lives of these people. Rather than hammer you over the head with the issues raised in these films - ideas such as muted homophobia in Weekend, faithfulness within relationships in Keep the Lights On, or the importance of a small community within a culture in I Want Your Love – they linger through their lack of force. In going underneath the larger issues and executing them with empathy and intelligence, it allows the universal appeal to open up which is liberating. It is invigorating seeing filmmakers embrace how much of a mess life can be sometimes.

David Darley

Models Turned Actors (Jeune et Jolie Feature)

With model-good looks being a near-universal prerequisite to ‘making it’ in Hollywood, it might seem like moving from the modelling industry into acting would be a logical, seamless transition. However, with a number of successful models proving to be acting disasters, we are naturally wary of those that make the switch, suspecting that talent may have taken a backseat to beauty. In François Ozon’s brilliant new film Jeune et Jolie, Marine Vacth proves that these prejudices far from apply to her. In a performance that has received rave reviews, Vacth stars as a curious young girl on a journey of sexual discovery. To celebrate the release of Jeune et Jolie on 29th November we take a look at some others who have proven that models can have serious acting chops too.

Marine Vacth

Starting out as a model at the tender age of 15, the beautiful Marine stunned her way to a number of high profile campaigns, replacing Kate Moss as the face of Yves Saint Laurent perfume. However, Marine left behind what surely would have been an impressive career in modelling to pursue her true passion in film. Jeune et Jolie marks her breakthrough role, gaining international recognition for her performance - delivered with the assurance and subtlety of an actor years her senior.

Famke Janssen

Dutch beauty Famke Janssen moved from Holland to the US to pursue a career in modelling, experiencing great success evident through her work in the late 80s with Yves Saint Laurent, Chanel and Victoria’s Secret. She burst onto the scene with her brilliantly camp portrayal of Xenia Onatopp in Pierce Brosnan’s best Bond film – Goldeneye – and cemented her ‘respectable actor’ status as Jean Grey in Bryan Singer’s X-Men trilogy.
Film highlights – Goldeneye, Taken, X-Men

Halle Berry

Halle Berry has had a truly remarkable, record-breaking career. Winning Miss Teen All American and Miss Ohio as a teen, she later went on to become the first African American Miss World entrant in 1986. Making her film debut in Spike Lee’s Jungle Fever, Halle went from role to role until, in 2001, she became the first – and only – African American to win Best Actress at the Academy Awards for Monster’s Ball. Like Janssen, Berry also starred in the X-Men Trilogy as Storm, and appeared as a Bond girl in the –albeit terrible – Die Another Day. Oh well, you can’t win ‘em all, Halle!
Film Highlights – Monster’s Ball, X-Men, Cloud Atlas

Lily Cole

Before being scouted whilst walking the streets of London aged 14, Lily Cole had never considered modelling. Yet this chance encounter proved to be the most important in her life. Appearing on the cover of Vogue aged 16, the only was up for Cole as she went on to work with fashion giants such as Prada, Alexander McQueen, Chanel and Louis Vuitton. While still an influential model, Cole tried her hand at acting, taking on a few small roles before starring in The Imaginarium of Doctor Parnassus alongside Heath Ledger in his final film.
Film highlights – The Imaginarium of Doctor Parnassus, St. Trinians

Mark Wahlberg

While not the most prolific of models, Mark Wahlberg can easily boast the most colourful past on this list. Coming into the public eye as the younger brother of Donnie Wahlberg of New Kids on the Block fame, Mark was angry and violent through his adolescent years, suffering from cocaine addiction at 13 and getting convicted for attempted murder at 16. Turning over a new leaf, Wahlberg reinvented himself as rapper Marky Mark, later modelling for Calvin Klein underwear. Wahlberg then made the transition to acting, gaining plaudits for his portrayal of Micky Ward in 2010’s The Fighter.


Jeune et Jolie is in UK cinemas from today 29th November courtesy of Lionsgate Films UK.

Master Of Expressionism - F.W Murnau

F.W Murnau along with Fritz Lang were THE German Expressionist filmmakers of the 1920s. Murnau made such films as Nosferatu, Faust and later in the United States Sunrise. His films often at considered some of the finest ever made.

Murnau was born Friedrich Wilhelm Plumpe in 1888. Not surprisingly he started in theatre but he was also a devout student of art history and literature. Murnau joined the airforce and survived 8 crashes. He was interned in Switzerland but he actually won an award for a play he staged in interment camp. It’s commonly believed Murnau was gay and his first true love was killed during World War 1 and this had a serious psychological impact on the young Murnau.

After the war finishes he quickly starts a film company with Conrad Veidt (Cesare in Cabinet of Dr. Caligari). They made quite a few films together but sadly not uncommon with silent films almost all of those are lost and most sadly their version of Dr. Jekyll and Mr. Hyde. It was an unauthorized adaptation but no legal action was taken unlike the case of Nosferatu.

During the first half of the 1920s he could average about 3 films a year. The earliest surviving film of Murnau’s is Journey into the Night and the surviving prints were only found this year. The first film of his which is widely available in Schloß Vogelöd that is rather spooky chamber drama with mystery elements. Murnau followed it with Marizza (only a fragment remains) and The Burning Spoil, which Eric Rohmer assisted in its restoration, but there is no home video release sadly.

Nosferatu is unarguably his most well known film and possibly his masterpiece, even though the case has been made for the later Sunrise. The production of Nosferatu is almost as interesting as the film itself; so much so a largely fictionalised take on it was made as Shadow of the Vampire. It’s the only and one film made by Prana film that was created by Enrico Dieckmann and occultist Albin Grau who was also a member of Fraternitas Saturni, a magical order in German.

Prana film was meant to specialize in occult theme films but due to the lawsuit that Bram Stoker’s wife filed due to the unauthorized adaption of Dracula it went bankrupt. Nosferatu in many ways is not a Murnau film because it was very much Albin Grau’s baby. The idea of doing a vampire film came out of his war experience of hearing a Serbian farmer telling him how his father was a vampire.

Nosferatu came out to relatively lukewarm reviews. The French surrealists really loved the film so much so that in one of André Breton’s books he recites a dream he had of a neck tie that became the likeness of Nosferatu and the intertitle “We he crossed the bridge, the phantom came to greet him” inspired him greatly. Nosferatu has probably inspired more people than any other silent film from everyone from Werner Herzog with his wonderful re-imagining to Abel Ferrara’s vampire film The Addiction.

The film was basically pulled from circulation due to Bram Stoker’s widow suing the filmmakers for the unauthorized adapted of his husband’s novel and won. The filmmakers were forced burn all the negatives but luckily one got all the way to the United States. The many prints over the years were made from this single negative even though they vary in many lengths. The film could have easily been lost like many of Murnau’s other films and has since become one of the most consistently screened silent films.

Phantom was Murnau’s follow up to Nosferatu, which is a very dreamy film that is about a young man who becomes obsessed with this girl and will do anything to find her again. It was considered lost for many years but it was found and restored and eventually came out on dvd by Eureka. Muranu’s next key film is The Last Laugh that is one of his chamber dramas and interestingly enough has barely any intertitles and no intertitles that are dialogue. It was a big success and he was able to Tartuffe and Faust both were made with a much larger budget.

Faust is obviously the old German tale of Faust who sells his soul to the devil. Faust is a special effects spectacular in the vein of Metropolis due to its scale at times. Universum Film AG put Faust into production and until Metropolis the year after was it’s biggest budget film. It’s by far his 2nd most widely seen German silent after Nosferatu. It’s remains one of the finest adaptations of Faust to date and is still a truly stunning film to watch today.

Murnau was already shooting his next film Sunrise in the United States for 20th Century Fox when Faust premiered in Germany. Many critics consider Sunrise his crowning achievement it’s a German expressionist film by a Hollywood Studio and is a beautiful love story. It would later win the “Unique and Artistic Production” at the first Academy Awards which was kind of like the equivalent to best film today. He continued making more films in America till he died tragically of complications because of a car crash. It was a week before his final film Tabu.

Murnau to this day remains one of the most innovative directors in the history of film. Nosferatu and Sunrise will be what he is remembered for but there are plenty of other great German expressionist films he made in the 20s. We can all hope some of his lost films get found some day. Eureka under their masters of Cinema imprint has released the majority of his available German and American films including a beautifully restored blu-ray of his Gothic masterpiece Nosferatu.

Ian Schultz

Nosferatu is now available in a new fully restored version available Monday 25th November on [Blu-ray]and [DVD]. Read our recent cinema release review.

Top American History Dramas (Parkland Feature)

PARKLAND is a historical drama recounting the chaotic events that occurred in the Parkland hospital and elsewhere in Dallas following John F. Kennedy’s assassination. In anticipation of the release of the new movie, we are taking a look at the top American historical drama films in cinema.

LINCOLN (2013)

Directed and co-produced by Steven Spielberg starring Daniel Day-Lewis, Lincoln is a historical drama that follows the final four months of Lincoln’s life, primarily focusing on his efforts to have the thirteenth amendment to the United States Constitution passed by the House of Representatives. The film was nominated for 12 Academy Awards winning Best Achieving in Production Design and Best Performance by an Actor in a Leading Role.

Argo (2012)

This nail biting thriller follows a CIA agent as he instigates an undercover mission to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980. The film is based on the CIA operative Tony Mendez’s book The Master of Disguise and The Great Escape by Joshuah Bearman. Argo received widespread acclaim and seven Academy Award nominations and won three, for Best Adapted Screenplay, Best Editing and Best Picture. The film also won five Golden Globe Award nominations, winning Best Motion Picture – Drama and Best Director.

The Patriot (2000)

The Patriot is an American historical war film depicting the story of an American, widowed, father of seven as he is swept into the American Revolutionary War when his family threatened by the British. The protagonist, Benjamin Martin (Mel Gibson), is a composite character based on four real American Revolutionary War heroes. The film was nominated for three Academy Awards and became a classic American film.

Apollo 13 (1995)

The incredibly journey of Americas’ third Moon landing aboard Apollo 13 is portrayed through this docudrama film directed by Ron Howard, starring Tom Hanks, Kevin Bacon and Bill Paxton. Surviving an on-board explosion which deprives the spacecraft of most of its oxygen supply and electric power, forcing an abort mission and struggling to get home, the film is packed with non-stop suspense. Apollo 13 received critical acclaim and was nominated for nine Academy Awards, winning two. The film grossed over $335 million worldwide during its theatrical release and is an American classic.

PARKLAND (2013)

One of the most shocking moments in TV history, and a major event in the history of the United States and the wider world, the assassination of President John F. Kennedy set in motion events that would change lives, and the world, forever. The new film Parkland retraces the actions of some of the lesser-known players on that fateful day in 1963 – the staff of the Parkland Hospital, some of the bystanders, and members of the FBI and Secret Service. A must-see, delving into the details of the people behind the scenes, Parkland is the latest film to show an important drama in US history.

PARKLAND is released in the UK on November 22nd.

Journalists on the Big Screen

On 1st November the story of Philomena will be released. Philomena tells the true dramatic story of a teenager falling pregnant in Ireland. Labelled as a fallen woman, she was sent to a convent where her baby was taken and adopted against her will. Filled with guilt, Philomena cannot keep her 50 year long secret anymore. With the immense help of journalist Martian Sixsmith, she starts a journey to uncover the truth about her son. With the release of this highly anticipated movie, we are taking a look back at some of the greatest real-life journalists portrayed on the screen.

All The President’s Men (1976)

This Academy Award-winning political thriller tells the non-fiction story about the two journalists (played very famously by the legends Robert Redford and Dustin Hoffman) investigating the Watergate scandal for The Washington Post. The film received numerous good mentions including two Academy Awards.

Welcome To Sarajevo (1997)

UK journalist Michael Henderson (Stephen Dillane) and US journalist Jimmy Fynn (woody Harrelson) meet at the beginning of the Bosnian war in Sarajevo. As their time in Sarajevo continues, the suffering of the community becomes apparent. Using his power as a journalist, Henderson makes a report on a local orphanage which lies on the front lines of the war where the suffering of the children is overwhelming. Henderson makes the suffering in the orphanage his lead story to draw attention to the war and becomes heavily involved in the evacuation.

Good Night, And Good Luck (2005)

Set in the early days of broadcast journalism, Good Night and Good Luck tells the story of journalist Edward R. Murrow and his loyal team as they refuse to obey the corporate and sponsorship pressure to discredit the tactics used by Joseph McCarthy during his frequent communist allegations. Nominated for six Academy Awards, six BAFTAs, and four Golden Globes, the movie was highly successful.

The Boys Are Back (2009)

This emotional drama follows the story of Joe Warr (Clive Owen) a British sports writer as his life unravels. Warr’s wife is diagnosed with cancer and dies, leaving him as a single parent with the responsibility of balancing writing and parenting.

Philomena (2013)

Steve Coogan plays Martin Sixsmith, a recently sacked political spin doctor and former journalist who has hit rock bottom. Following the extraordinary story of a mother (Judi Dench) and the quest to find her long lost son, Philomena gives Coogan the chance to show off his considerable acting skills in a heartfelt straight role – that he won the best screenplay award at the Venice Film Festival for co-writing the film must be a welcome bonus!



Follow Martin and Philomena as they seek out the truth in PHILOMENA – released in the UK on November 1st.

Maurice Pialat's Van Gogh To Master Stroke Its Way Into A Masters Of Cinema Release

UK Release Date:
23rd September 2013
Distributor:
Eureka Entertainment
Buy/Pre-Order:
2-Disc DVD or Blu-ray
Eureka Entertainment have announced that they will be releasing VAN GOGH, considered by some to be the greatest film by Maurice Pialat, the legendary French filmmaker, seven of whose previous films have been given Masters of Cinema editions (including L'Enfance-nue and A nos amours). Van Gogh, the epic and powerful bio-pic of the final weeks in the life of Vincent van Gogh, will be released on DVD and Blu-ray on 23 September 2013.

One of the greatest films by one of the finest directors of the second half of the 20th century, Maurice Pialat's Van Gogh represents an ambitious and crowning achievement in its portrayal of the master painter's final weeks of life, almost exactly one-hundred years earlier.

Van Gogh, depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard's Sauve qui peut (la vie)), has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent's brother Théo (Bernard Le Coq) and his wife, plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets, and the painter's anguished existence, tossing between money worries and an impassioned relationship with the doctor's teenage daughter, finally meets its terminal scene.

With its loosely factual and wholly inspired treatment of the last period of Van Gogh's life, Pialat's film applies an impressionist touch to the biographical picture — indeed, the filmmaker was himself an accomplished painter, and the personal resonance of the subject matter results in an epic, major late work. The Masters of Cinema Series is proud to present Maurice Pialat's Van Gogh on Blu-ray for the first time in the UK, and also in a special two-disc DVD edition.

Check out The Van Gogh trailer...


SPECIAL BLU-RAY AND ‘TWO-DISC DVD’ EDITIONS:

• Gorgeous new restoration of the film, appearing in 1080p on the Blu-ray
• New and improved optional English subtitles
• Van Gogh (1965) — a short, early documentary about the painter, by Maurice Pialat
• A 10-minute video interview with Pialat from 1991
• A 50-minute video interview with Pialat from 1992
• Video interviews with actors Jacques Dutronc and Bernard Le Coq; director of photography Emmanuel Machuel; and editor Yann Dedet
• Deleted scenes
• Original theatrical trailer
• 56-PAGE BOOKLET containing a new and exclusive essay by critic Sabrina Marques; Jean-Luc Godard's letter to Pialat after seeing the film, followed by Godard's tribute to Pialat upon the director's passing in 2003; copious newly translated interviews with Maurice Pialat; images of Pialat's canvasses; rare imagery; and more!

Here's some quotes about Van Gogh...

"Pialat is one of the finest living French filmmakers, and Van Gogh, his tenth feature, is arguably one of his best." –Jonathan Rosenbaum, Chicago Reader in 1993

"An extraordinary film....We flatter ourselves that if we were around in 1890, we would have recognized Van Gogh's genius and changed his fate. But we probably wouldn't have – just as we probably don't recognize the Van Goghs among us now. In this sad, brilliant film, Pialat gives us a terrible inkling of why." –Michael Wilmington, Los Angeles Times

We will be hoping to review this closer to the release, so stay tuned. Van Gogh will be released in UK&Ireland on 23rd September on DVD and Blu-Ray.

Watch UK Trailer For Ain't Them Bodies Saints

David Lowery‘s Ain’t Them Bodies Saints festival award winning film we told you about during Cannes next month is to get to get UK cinema release  and thanks to The Works we now have the film's UK trailer.

Ain't The Bodies Saints Bob Muldoon (Casey Affleck) & Ruth Guthrie (Rooney Mara) a young impoverished couple  who find themselves involved in a shootout with the local police.When Ruth a police man is shot by Ruth the pair give up and  Bob taking the blame and is sent to jail. Sveral years later Bob escapes prison in search of Ruth whom he learns he has a daughter however  she has gotten closer to a  local man Patrick Wheeler (Ben Foster), but as Bob the  unexpected reunion gets closer it looks like a reunion that will be doomed.

 Ain't Them Bodies Saints is been ear marked for director David Lowery  looks his break out film, scoring impressive reviews during the festival season (100% at Rotten Tomatoes) and this is probably why the film is getting released here in blighty. The trailer is a lot shorter from the trailer we showed you during Cannes but delivering a slow brooding character drama, fantastic cinematography and its great to see something with substance and quality.



Ain’t them Bodies Saints  also stars Keith Carradine, Rami Malek and Nate Parker, with the film arriving in UK&Ireland on 6th September (16th August USA)

source:The Peoples Movies

Watch New Second Trailer for The Coen Brothers Inside Llewyn Davis

It's not an easy world been a Folk Singer especially in a world created by The Coen Brothers as their previous filmography proves things are hard for their protagonists. In Inside Llewyn Davis we transport back to 1960's Greenwich Village New York, folk music following one man's struggle to find his place in that scene, watch new trailer.

Inside Llewyn Davies is based on actual folk legend Dave Von Ronk and his memoirs The Mayor Of McDougal Street starring Oscar Isaac as the titular character. With no money, a ex-girlfriend who is pregnant (Carey Mulligan) who hates him with only a tabby cat for company, Llewyn attempts to make his mark on the Greenwich folk scene a career that would go onto to inspire the likes of Bob Dylan.

I'm not scared to admit I'm a latecomer to appreciate the talents of Joel and Ethan Coen Fargo was my introduction though I will say a slight disappointment in True Grit, probably because I've never been a fan of Westerns. Inside Llewyn Davies been the first Coen Brothers film since True Grit 2 years previously it's no surprise it's now one of the most anticipated films and this trailer encapsulates the tone of the era. Very melancholic, bleak but we also get to meet some of the films other characters (Mulligan, Justin Timberlake, John Goodman) giving us a little more sense of the plot and if your attracted to the music, the Mumford & Sons song may bring a smile to your face. The film left Cannes Film Festival with glowing reports and many are calling this film one of their finest films in a long time and that's good for us.

Inside Llewyn Davies now has a UK&Irish release date of 14th January 2014 (USA 6th December) and stars Garret Hedlund, Adam Driver and F. Murray Abraham.


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Source:Thepeoplesmovies

Another Slick Trailer For Only God Forgives Slides Online

Despite the mixed vibes from Cannes Film Festival Nicholas Winding Refn's Only God Forgives is still high on many cinephile's most anticipated films to see this year and tonight your appetite will be re-nourished with another slick trailer.

Here in UK we might be just over 2 months to go before this Neon drenched slow burning revenge thriller invades our visual palettes but over on the other side of the Atlantic it arrives next month hence the new trailer. Only God Forgives set in Thailand, Ryan Gosling plays Julian a Thai Boxing club owner in Bangkok a club that's serves a front for his families drug running. Even is Hunky dory until a ruthless bent cop murders his brother forcing Julian's acid tongued mother to appear and demand her son seek revenge for his dead brother.

Some of the footage has already been seen in previous trailers & clips but this has enough new brutal footage to make it worth your  2 minutes of your time. The dialogue is minimal the silence ferocious feels just as Savage and domineering of hat comes out of Kristen Scott Thomas lips and once again this shows she will be the film's resident scene stealer. The word from the street Only God Forgives is one of those unique experience you have to witness first hand to appreciate the visceral richness that will play in front of us. It's not perfect but it has the makings to be a cut classic in years to come.



Only God Forgives arrive in UK&Ireland on 2nd August 2013 (USA 19th July), the film also stars Yayaying Rhatha Phongam, Vithaya Pansringarm, Tom Burke and Byron Gibson.

source: Yahoo! (via The Peoples Movies)

Film 4 Frightfest 2013 Announce Opening And Closing Films

Big Bad Wolves from Israel and Indian Zombies signal global horror invasion at this year’s FrightFest. This year’s festival opens with the world premiere of The Ford Brothers THE DEAD 2: INDIA - the first-ever International production of a zombie film shot in India.

Howard and Jon Ford, the British director, writer and producer team behind the acclaimed African-set zombie road movie 'The Dead’ said today: “It's truly an honour to be the opening film – mind-blowing! Being at FrightFest for ‘The Dead’ was such an incredible experience for us and one of the highlights of our whole journey with the film. It's an awesome event with a brilliant crowd and we both sincerely cannot wait to see you all there!”.

The film follows the story of India-based American engineer Nicholas Burton (JOSEPH MILLSON) in a race against time to reach his pregnant girlfriend Ishani Sharma (MEENU). Burton enlists the help of an orphan street kid Javed (ANAND GOYAL) and together they make a perilous 300 mile journey across deadly landscapes as a zombie apocalypse threatens to engulf the entire nation.

Film4 FrightFest will close with the UK premiere of directors Aharon Keshales &Navot Papushado’s extraordinary revenge thriller BIG BAD WOLVES. Soaked in twisted tension, fairytale myth and seat-edged suspense, the film follows the lives of three men on a collision course: following a series of brutal murders: the father of the latest victim now out for revenge, a

vigilante police detective operating outside the law, and the main suspect in the killings - a religious studies teacher arrested and released due to a police blunder.

Aharon and Navot said today: “We always dreamt of having a film which would be good enough to be shown at FrightFest, but not even in our wildest dreams did we think that an Hebrew speaking revenge thriller would get us there. FrightFest is really making history here. As a token of our appreciation we promise to give everyone there a night they won't easily forget”.

All the directors and some cast members will be attending the festival.

Film4 FrightFest Co-director Alan Jones commented: “Film4 FrightFest is delighted with our Opening and Closing Film choices. Both THE DEAD 2: INDIA and BIG BAD WOLVES represent everything FrightFest is about; the discovery, nurturing and celebration of vital new voices in the genre. FrightFest launched the Ford Brothers' THE DEAD to worldwide acclaim in 2010 and Aharon Keshales and Navot Papushado's RABIES in 2011 became the only movie in our entire 14-year history to warrant successive extra screenings based on overwhelming want-to-see demand. So to welcome both duos back with their stunning new movies, both exploring unusual cultural aspects within a remarkable genre framework is an absolute thrill. These films bookend Film4 FrightFest perfectly and hint at what we are trying to achieve this year - the best platform to deliver our broadest, most diverse and most surprising event ever”.

Film4 FrightFest, the UK’s biggest genre film festival, runs from Thursday 22 August to Monday 26 August at the Empire Cinema, Leicester Square. The full line up will be announced on Fri 28 June. Festival & day passes go on sale from 29 June. Tickets for Individual films are on sale from 27 July.

Bookings: 08 714 714 714 or www.empirecinemas.co.uk

Edinburgh International Film Festival Reveals 2013 Line Up

This June all cinematic eyes will be on Scotland's capital as the longest running international film festival announces it's 2013 line up.

Now in it's 67th year, Edinburgh International Film Festival  which will run from 19th until 30th June, will showcase 146 features from 53 countries, including 14 World premieres, 6 international premieres and 10 European premieres.

Drake Doremus Breathe In starring Guy Pearce, Felicity Jones has the honours of  been the opening gala with the world premiere of John McKay's Scottish romantic comedy Not Another Happy Ending starring Doctor Who's Amy Pond, Kate Dickie (Prometheus), Ian De Caestecker (Agents Of S.h.i.e.l.d) and Stanley Webber (The Borgias) Closing the grand old festival.

2013 line up does seem to be leaning more towards independent, arthouse and World Cinema market compared to previous years, which compared to this years  impressive Glasgow Film Festival line up. Risky move we'll soon find out however don't criticise what they have in offer as it's of high standard.

The highlights of this years festival include a chance to Emma Watson  a theme obsessed teen who steals from the rich in Sofia Coppola's  The Bling Ring (UK premiere).Arthouse film fans will get a chance to see Noah Baumbach's Frances Ha as it makes it UK premiere,Zal Batmanglij's Sundance hit The East starring Brit Marling, Alexander Skarsgard and Ellen Page as a anarcho terrorist leader will make its UK This Is Martin Bonner, Upstream Color and What Maisie Knows other highlights.
premier.

Horror fans will be keen to see James Wan's eagerly anticpated The Conjuring will make its UK premiere based on true life paranormal husband and wife team Ed and Lorraine Wilson (Patrick Wilson, Vera Farmiga) face the most challenging and dangerous case of their careers. If we go by Wan's last film Insidious we can expect a night of scares!The master of J-Horror Hideo Nataka (Ring) return to the genre he help create with The Complex.

Sweden and Korea will be the countries on focus a chance to discover some possible gems. most notable are The Berlin File a state of art of  conspiracry thriller from one of Korea's leading thriller directors Ryoo Seung-won. If you admired the visual style of Tinker Tailor Soldier Spy you will enjoy Wallander  Mikael Marcimain's Call Girl an explosive story into the 1970's underage prostitution ring amongst Sweden's elite. Stoker/oldboy director Park chan-wook will be one of the judging panel members for the festival.

Below is the official press release the good people at Edinburgh film festival have sent us, before you read on check out the festivals promo reel which shows off some of the highlights festival goers can expect. The People's Movies /Cinehouse Edinburgh based writers Andrew, Scott and Sophie will be attending the festival possibly myself too we will bring the coverage from the festival as well as our views on everything.

Check out the official press release.

Edinburgh – 29 May, 2013 – Artistic Director Chris Fujiwara announced this morning at Filmhouse in Edinburgh details of the programme for the 67th edition of Edinburgh International Film Festival (EIFF). This year the Festival, which runs from 19-30 June, will showcase 146 features from 53 countries, including 14 World premieres, 6 international premieres and 10 European premieres.

The Festival boasts 125 new features, with highlights including FOR THOSE IN PERIL, the debut feature by Paul Wright, a contender for the Michael Powell Award, starring newcomer George MacKay and Kate Dickie. Alex Gibney’s controversial WE STEAL SECRETS: THE STORY OF WIKILEAKS screens within Directors’ Showcase. Noah Baumbach brings FRANCES HA to the Festival with co-writer and star Greta Gerwig, as part of the American Dreams strand which also includes Sofia Coppola’s depiction of fame-obsessed teens, THE BLING RING. Special Screenings include FIRE IN THE NIGHT, which receives its World premiere ahead of the 6 July anniversary of the Piper Alpha North Sea oil rig disaster of 1988. JURASSIC PARK 3D and the 1950 landmark Scottish film THE GORBALS STORY are two of the 21 classic titles in the Festival.

EIFF Artistic Director Chris Fujiwara said: “I’m very proud that in my second year at the Festival we’ve again put together a programme that reflects our festival’s commitment to international cinema, while giving our audiences opportunities to discover a broad range of outstanding work from British filmmakers. This year we take the Festival in a number of new directions. In our new “American Dreams” strand we bring the highlights from an exceptionally good year for American independent cinema. In our Focuses on Korea and Sweden, we recognise films that represent the artistic vitality and social commitment of two strong filmmaking nations. Our “New Realities” strand reaffirms our Festival’s continuing support for documentary filmmaking. And “Not Another Teen Movie” is a new section programmed by 15-19-year-olds for their peers. Altogether, our programme is filled with films that I’m sure our audiences will find exciting and inspiring.”

British films competing for the Michael Powell Award include 7 World premieres and 6 feature debuts. Among the Michael Powell Award contenders are the captivating Scottish tale of belonging and loss BLACKBIRD by Jamie Chambers; the black comedy EVERYONE’S GOING TO DIE by the two-person collective ‘Jones’; Paul Wright’s FOR THOSE IN PERIL; DUMMY JIM by Matt Hulse; MISTER JOHN by Joe Lawlor and Christine Molloy; and John Hardwick’s SVENGALI, expanded from a YouTube series. A LONG WAY FROM HOME by Virginia Gilbert stars Natalie Dormer, who serves on the International Feature Film Competition jury; while THE SEA by Stephen Brown stars Ciarán Hinds and Charlotte Rampling. A documentary feature competing is LEVIATHAN by Lucien Castaing-Taylor and Verena Paravel. Completing the selection are UWANTME2KILLHIM? by Andrew Douglas, based on true events, WE ARE THE FREAKS by Justin Edgar, in which misfit teens go on an all-nighter, and NOT ANOTHER HAPPY ENDING, the Festival’s Closing Gala film, directed by John McKay. The Award for Best Performance in a British Feature Film will be awarded from films within the Michael Powell selection.

The International Feature Film Competition includes a selection of live-action narrative films, animated films and documentaries, highlighting filmmaking from around the world that is imaginative, innovative and deserving of wider recognition. The selection introduces debuts from Mahdi Fleifel with A WORLD NOT OURS, a portrait of family life in a Palestinian refugee camp; Iraqi-Kurdistan-born director Hisham Zaman with BEFORE SNOWFALL a coming-of-age odyssey from East to West; and Argentine director Leonardo Brzezicki, who paints an erotic psychological landscape with sound in NOCHE. The European premiere of JOY by Greek documentary filmmaker Elias Giannakakis competes along with titles such as Alexey Fedorchenko’s CELESTIAL WIVES OF THE MEADOW MARI which focuses on the rites and customs of a Russian ethnic group; a dreamlike allegory set in Tehran, FAT SHAKER by Mohammad Shirvani; and I.D. by writer-director Kamal K.M. based on a real incident in Mumbai. JUVENILE OFFENDER, a gritty story of family neglect in Korea by Kang Yi-kwan, and OF SNAILS AND MEN, a Romanian post-Communist era social satire by Tudor Giurgiu, round out the International Feature Film Competition.

There are a number of Special Screenings across the Festival, including the World premiere of THE BATTLE OF THE SEXES from co-directors James Erskine and Zara Hayes about the historic 1973 tennis match between Wimbledon winner Billie Jean King and retired champion and self-proclaimed chauvinist Bobby Riggs; and, receiving its European premiere, HAWKING, for which filmmaker Stephen Finnigan was given unprecedented access to the world’s most famous living physicist, Stephen Hawking. I AM BREATHING tells the true story of Neil Platt following his diagnosis with Motor Neurone Disease just months after the birth of his son; the film screens in the Festival ahead of MND Global Awareness Day on Friday 21 June. There will also be a chance to see on the big screen the first two episodes of BBC Two’s crime drama PEAKY BLINDERS, set in the lawless streets of post-war Birmingham on the cusp of the 1920s, starring Cillian Murphy, Helen McCrory and Sam Neill.

The American Dreams strand includes the European premiere of Scott McGehee’s WHAT MAISIE KNEW, a modern story based on the Henry James novel; Sebastian Silva’s MAGIC MAGIC, which reveals a star turn by Juno Temple; and THE EAST, which stars Brit Marling, who co-wrote with director Zal Batmanglij. International premieres include Kyle Patrick Alvarez’s C.O.G., adapted from humourist David Sedaris’s autobiographical essay; the sci-fi thriller UPSTREAM COLOUR by writer-director and actor Shane Carruth; and THIS IS MARTIN BONNER from Chad Hartigan, in which an unlikely friendship blossoms.

EIFF is privileged to welcome to Edinburgh one of the world’s greatest animators, Richard Williams, to celebrate his work with a retrospective, RICHARD WILLIAMS: 80 ANIMATED YEARS. This screening is in partnership with Encounters Short Film and Animation Festival and charts the development of Williams’s animated career. Williams will also present the coveted McLaren Award, which provides a focus for new British short animation. This year marks a new partnership with the British Council, which will see films selected from the McLaren Award competition for an international touring programme representing the best contemporary British animation. The Festival hosts a further Special Screening of short animations in tribute to Scott Ward, the award-winning cinematographer who died earlier this year. Scott had worked as animation programmer for EIFF for ten years.

The Directors’ Showcase presents work from established auteur directors and emerging talents with 23 films from 17 countries. The selection includes 6 documentaries including Thomas Riedelsheimer’s BREATHING EARTH SUSUMU SHINGU'S DREAM, following artist Susumu Shingu; and actor and director Sarah Polley's intimate family portrait STORIES WE TELL. Narrative films cover a variety of genres and include high-speed Hong-Kong cop film MOTORWAY directed by Pou-Soi Cheang and produced by action auteur Johnnie To, while Dibakar Banerjee takes Bollywood in a new direction with political thriller SHANGHAI. Intimate human dramas are represented with Bruno Barreto’s REACHING FOR THE MOON, about the love affair between American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares; Mania Akbari’s FROM TEHRAN TO LONDON, a poetic exploration of the roles of women, during the filming of which Akbari fled to the UK; and THE DEEP, Baltasar Kormákur’s breathtaking drama about an Icelandic fisherman who reluctantly became a national hero.

The World Perspectives strand presents 25 films from 18 countries, offering a spectrum of work from emerging directors. BIG BOY, from the Philippines, was shot on Super 8 by Shireen Seno; DAYS OF GRACE is a breathless triple-kidnapping thriller from Mexican director Everardo Valerio Gout; DIE WELT, set after the 2011 Tunisian revolution, is the feature debut from Dutch director Alex Pitstra; from Li Lou, EMPEROR VISITS THE HELL is a political satire inspired by a Ming Dynasty literary classic; and EVERYBODY’S GONE is an outstanding debut by Georgiy Paradjanov, nephew of legendary master director Sergei Paradzhanov.

With New Realities, EIFF features some of the most interesting documentary filmmakers working today, including Thomas Heise, who observes the routines of a crematorium in CONSEQUENCE; PJ Raval, who reveals the lives and loves of three gay seniors in BEFORE YOU KNOW IT; and first-time director Khaled Jarrar, who follows fellow Palestinians’ attempts to cross the wall separating them from Israel in INFILTRATORS. The enigmatic Scottish maker of salmon flies Megan Boyd is the subject of Eric Steel’s KISS THE WATER; and with LUNARCY! Simon Ennis takes an affectionate look at a group of individuals obsessed with the moon. The strand also hosts the World premiere of DESERT RUNNERS by Jennifer Steinman, an intimate film about competitors in RacingThePlanet’s 4Desert Ultra-marathons, and the European premiere of Jeanie Finlay’s THE GREAT HIP HOP HOAX, the stranger than fiction story of Billy Boyd and Gavin Bain, aka ‘Silibil 'n' Brains’.

Filmmakers and filmmaking is the subject of the Film on Film strand which includes: NATAN, David Cairns and Paul Duane’s moving account of Bernard Natan, a forgotten giant of French cinema; A STORY OF CHILDREN AND FILM by Mark Cousins; and Graham Eatough’s THE MAKING OF US, commissioned by the Glasgow International Festival of Visual Art.

The late-night Night Moves strand hosts the World premiere of OUTPOST 3: RISE OF THE SPETSNAZ, with producer Kieran Parker turning director for the third instalment of the popular Nazi zombie saga; and the European premiere of SHOOTING BIGFOOT, in which British filmmaker Morgan Matthews travels to America and forms uneasy alliances with several Bigfoot trackers. Concept artist Richard Raaphorst directs his first horror flick, FRANKENSTEIN’S ARMY, a Nazi v Communist ‘found footage’ horror; while PARIS COUNTDOWN, a high-octane thriller, is director Edgar Marie's debut feature; and the master of Japanese horror Hideo Nakata brings us THE COMPLEX.

EIFF will this year screen 172 short films from 38 countries across 22 programmes. In addition to animated shorts the Festival continues to showcase new work by Scottish, UK and international filmmakers, including DAY TRIP by Park Chan-wook and his brother, Park Chan-kyong. The experimental Black Box strand presents a series of shorts programmes from innovators in the visual art world as well as the World premiere of documentary poem and travelogue ‘10’ from photographer filmmaker Telemach Wiesinger. The Festival enters new territory this year with BLACK BOX LIVE, a presentation of multi-projector expanded cinema artworks performed live by experimental practitioners Nominoë, Sami van Ingen, and Screen Banditas.

The first of the retrospectives previously announced will celebrate the work of French director Jean Grémillon with a programme of features and short films in partnership with the BFI, while the second, presented as part of a wider programme running at Filmhouse, recognises the Hollywood director Richard Fleischer.

As previously announced, this year’s two country Focuses showcase work from Korea and Sweden not previously seen in the UK. The Focus on Korea includes films ranging from the commercial mainstream to independent cinema that show the diversity and vitality of Korean film today. The Focus on Sweden includes feature films from contemporary mainstream and experimental filmmakers, a film by an old master from the silent era, and a selection of shorts.

A new initiative this year has seen a group of 15-19-year-olds with a keen interest in film select films under the mentorship of the Festival. Entitled ‘Not Another Teen Movie’, their new strand includes include quarter-life crisis comedy OLD STOCK by Canadian director James Genn; 7 BOXES, a thrilling chase movie set in the markets of Paraguayan capital Asunción, from co-directors Juan Carlos Maneglia and Tana Schémbori; STRUCK BY LIGHTNING, starring Chris Colfer and Rebel Wilson; Danish coming-of-age drama YOU & ME FOREVER and a collection of short films.

As previously announced, the 67th Edinburgh International Film Festival opens with the European premiere of Drake Doremus’s BREATHE IN with Felicity Jones and Guy Pearce and the Closing Gala is the World premiere of the Scottish romantic comedy NOT ANOTHER HAPPY ENDING, starring Karen Gillan and Stanley Weber. Disney•Pixar’s MONSTERS UNIVERSITY is this year’s Family Gala, screening at Festival Theatre Edinburgh in 3D.

World Premieres

· "10"
· THE BATTLE OF THE SEXES
· BLACKBIRD
· DESERT RUNNERS
· FIRE IN THE NIGHT
· A FLONG WAY FROM HOME
· THE MAKING OF US
· MISTER JOHN
· NOT ANOTHER HAPPY ENDING
· OUTPOST 3: RISE OF THE SPETSNAZ
· THE SEA
· SVENGALI
· UWANTME2KILLHIM?
· WE ARE THE FREAKS

International Premieres

· BEFORE YOU KNOW IT
· C.O.G.
· EVERYONE'S GOING TO DIE
· SANCTUARY (Faro)
· THIS IS MARTIN BONNER
· TRAFFIC DEPARTMENT (Drogówka)

European Premieres

· BREATHE IN
· THE GREAT HIP HOP HOAX
· HAWKING
· INFILTRATORS (Mutasalilun)
· JOY (Hara)
· KISS THE WATER
· LILOU'S ADVENTURE (Lilou No Bouken)
· THE OBSCURED HISTORIES AND SILENT LONGINGS OF DAGULUAN'S CHILDREN
· SHOOTING BIGFOOT
· WHAT MAISIE KNEW


Book Your Tickets or more information including a PDF version of the Edinburgh Film Festival 2013 brochure head over to the festivals official website.